Monday, 29 July 2013

Spotlight on LearningEarly.co.uk

Learning Early started using WebBox services about 2 and a half years ago. They started with a simple e-commerce solution but over the years this has evolved to a bespoke solution with online marketing services. So here’s a little more about them…


We specialise in a revolutionary balance bike for children called the Strider bike. It’s designed for kids from as soon as they can walk up to 5 years – super light for toddlers and fully adjustable handlebars and seats means it works for children of all sizes . We sell them online and with a complete range of children’s helmets from world leading manufacturers such as Bell and Giro.


The playground – seeing another child on a wooden bike with no pedals seemed like a great idea and three years ago when we started, a “balance bike” was a new concept to the UK. Removing the pedals takes the complication out of learning to ride a bike and allows the child to concentrate on learning their balance.


With no budget! We bought a few bikes, sold them and bought more bikes. We then used the profits to buy our domains and used a free Getting British Business Online site to start. We kept investing our profits into things that improved the customer experience, a better website and a more efficient delivery service. Using our own children as demo riders also helped keep the marketing costs down.


Wasted valuable time at the start teaching myself how to build a website. In hindsight we should have just launched with a professionally designed site from the start, although the site I did build did get the cash flowing and taught me some great skills. Have faith in what you do was the lesson learnt there.


Entering our business in the Smarta awards – we were shortlisted as one of the Top 100 small businesses in 2011, by a panel of judges including, Sarah Beeney off the property show and backed by Deborah Meaden off Dragons den. Choosing to work alongside efficient partners day to day, that understand small businesses is also key. Choosing Web Box Cardiff from the minefield of web designers was a good move. Very handy to get hold of your Web design company at 7 pm on a Friday when I’ve managed to take my own site down..


To keep doing what we are doing and to ensure we do it better than any of our competitors.


So now you know where to go for your next Balance Bike!


View the original article here

When toolkits are better than frameworks

 Let’s start with an observation: I love me some frameworks. As an alternative to completely reinventing the wheel, or styling a button from scratch, again, it’s hard to beat having an all-in-one solution to your basic HTML/CSS/JavaScript needs.


The problem is, well, it’s what I said right up there. Frameworks really aren’t an all-in-one solution are they? For all that we’ve made them modular and easy to customize, sometimes they just don’t have what we need.


It’s impossible to include every possible HTML snippet, element style, or javascript function one could possibly need. But then, that can also be a good thing.


A framework might have a lot of things we just don’t need. Some of my most frustrating work ever involved manually searching through Bootstrap’s massive CSS files to change some small bit of code that was wreaking havoc on my design.


Just take Bootstrap’s navigation bar component for example. It’s great, it works flawlessly, and it looks good. But if you try to change the way it looks in any big way, you have to change a whole lot of styles, and it takes a while to find them all. If it’s just a horizontal list of links at the top of the page that you want, it might be easier to code a new one from scratch.


But hey, the more popular frameworks out there, Bootstrap in particular, have a lot of customization tools, right? Yes, and that’s a great thing, but the default options don’t give you quite enough room to work.


Simply put, if your focus is on creativity, a massive framework is probably not the way to go. Sure, you can hack it, but that will take a lot of time.


One more problem that I’ve run into: JavaScript incompatibilities. As a guy who isn’t really a programmer, this was painful. 


Specifically, there was this one time when I tried to integrate a couple of jQuery plugins into a design based on Foundation. This isn’t a deal breaker all on its own, but it’s more time spent debugging.


Of course, this was some time last year. I honestly don’t know what would happen if I tried the same thing with the new versions of the same framework and plugins, but it is still something to consider.


In summary, there are times when frameworks simply aren’t the answer. This is where the toolkit comes in, and you should have one.


A toolkit, in the context of this article, is a self-collected and curated set of tools, snippets, plugins, and resources that allow you to code your projects that much faster. People will often find these resources over time and become attached to them. It’s a personal thing, and you really have to make your own.


Similarities

Toolkits and frameworks are both largely made up of code designed to help you get started.Their job is to make your life easier, but they can’t and shouldn’t do all of the work for you.They both need to be maintained and updated to reflect the latest technologies in play. 

Differences

Toolkits don’t make any design or structural assumptions, frameworks often do.Toolkits are usually made up of things that come from entirely different sources.It’s not just code, toolkits can include software, bookmarked links, and so on.Toolkits usually don’t have any “default files”, leaving you to pick and choose.

The advantage of a toolkit over a framework is its sheer versatility. As stated before, in projects where you intend to push the boundaries design-wise, a framework is often just too cumbersome.


That same quality is also the framework’s downfall in small-to-medium size projects. Are you building a promotional landing page? A one-page website? A simple blog? Then a framework is probably just unnecessary. You’re better off starting from scratch, and making every detail of the project yours. 


I’d go so far as to say — this is just my opinion — that most content-driven websites don’t need a fully-fledged framework. The exception would be for massive sites, like ars technica for example. For something that big you should use a framework, but you should probably develop it from scratch yourself to meet the website’s exact needs.


Where frameworks like Bootstrap and Foundation truly shine is in web application development and app-driven websites. It is in these projects that the relatively rigid constraints come in handy, instead of slowing you down.


Making your own toolkit is a question of time, patience, and experience. I mean, sure, you could just go and do a search for “web design resources”. You’d get thousands upon thousands of hits, and in a couple of hours you could download more bits of code than you could ever possibly use.


But that is not a toolkit. That is a library that you’re never going to touch, because sorting through it would take far too long. We’re busy people, so I’ve taken a more organic approach to this: when I encounter a problem, I Google it.


Snippets are often too long to memorize, so if I find myself repeatedly searching for the same thing, I add it to my toolkit. The same goes for software: if it’s something you know you’re going to use a lot, you add it.


That’s not to say that you should never set aside time to just experiment with some new “toys”… you should. If you hear about a particular resource that could change the way you work for the better, by all means check it out. But remember that toolkits are better kept relatively small. You should focus on keeping only what you require to meet the needs that you encounter regularly.


Again, I’ll reiterate that toolkits are something you have to make yourself, to meet your own needs. Still, I’m going to list the things in my toolkit to give you a better idea of what to look for as you create your own.


CSS pre-processors like LESS and SASS do two things:  

They extend CSS basic functionality with variables, mixins, nested selectors, etc.They make coding CSS faster.

If you haven’t already tried coding CSS with a pre-processor, I urge you to do so now. Right now. I’ll wait.


A well-organized list of bookmarks can be greatly beneficial when you need something that you can’t save on your local hard drive. I bookmark things like CSS3 generators, sprite generators, color scheme creators, and other tools that help me to quickly accomplish tasks that take just that much longer when you do them by hand.


Grid systems are so 2000s. Ever since responsive web design became an actual thing, grid systems have become increasingly complex in order to meet the needs of myriad devices.


And what if you need a custom grid system? You could hit up one of the many online responsive grid system generators, but they’re limited.


The solution comes in the form of semantic.gs. Now, while its own author calls it a grid system, I choose to call it a layout engine, because it’s not one grid. It’s a tool based on CSS pre-processing (you can use it with LESS, SASS, and Stylus), and it allows you to generate any grid you like, fixed-width or responsive, on the fly.


All you have to do is change some numbers in a .less (or SASS, etc) file, and go.


Emmet is a collection of plugins that turn abbreviations into full lines of code, in both HTML and CSS.


Basically, it turns this:

div>ul>li*3>a

Into this:













How cool is that?


Snippets are those little bits of code that you keep using over and over again because they’re just so useful and you love them to bits, and you want to remember them all but you just can’t.


Any good text editor usually has a way to store and easily retrieve them. Right now, my favorite bunch of snippets would have to be this one for WordPress. WordPress’ template functions and options for functions.php can be difficult to remember, so this is a life saver.


As I said before, I’m not a real programmer. So when any kind of advanced animation or UI functionality is required, but not so much to make a framework worth the trouble, I turn to individual plugins.


Some of my favorites are: 

Scrollto.js: a smooth scrolling script.idTabs: for when you need any sort of tabbed UI.Supersized: for when you need a whole page slideshow.ResponsiveSlides.js: what the name says. It’s a responsive image slider. What more could you want?

It’s never too soon to have your own personal library of useful things.


What tools would you like to see in your toolkit? What resources couldn’t you live without? Let us know in the View the original article here

Featured on Offscreen Issue #2


I'm honored to announce that I've been featured on Offscreen magazine issue #2. Offscreen launched its first issue in Feburary 2012 and quickly became well recognized in the design community. So I'm proud to be selected in the logbook section (thanks Kai Brach). I have five copies of Offscreen #2 to giveaway. As usually, post a comment in this post before Jul 27, 2012 to enter the giveaway draw.


Update: The contest is closed and the winners are: Tim, Benedikte, Shen, Hazel, and Mana.

The comment must be submitted before Jul 27, 2012. One entry per person.5 winners will be selected randomly. Each winner will get a copy of Offscreen #2offscreen 2 Share ? Tweet PSD 2 HTML Wow, impressive web design tool: macaw.co/peek/
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Check out the WordPress themes that I've designed at Themify. Use 'WDW' Themify coupon code to save 20%.

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Buy my art prints on Society6. Available in canvases, posters, tshirts, hoodies, and laptop skins and iPhone cases.

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Interactive World JavaScript Map May 30, 2013

Two Free 2013 FITC Conference Tickets Mar 22, 2013

Jan 24, 2013

référencement grenoble: JQuery is sooooo powerful ! Added with some others Gmaps plu… kombi: it is easy to change the location's attributes. Upon hover, … DymoLabels: Excellent tutorials. Java script will be the next generation…

Web Designer Wall is all about design, ideas, web trends, and tutorials. It is designed and maintained by Nick La, who also runs N.Design Studio, Themify, IconDock, and Best Web Gallery.

© Web Designer Wall 2013

Back to top


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No More Annoying Facebook Ads! Well, sort of…

Screen Shot 2013-06-14 at 11.05.08 AMFacebook users rejoice! The company announced today that it will be scrapping Sponsored Search Results, with the removal taking full effect later in July. Don’t get too excited though, this change is only temporary. Facebook plans to continue its use of “search advertising,” including the annoying right-hand column ads currently found on result pages as well as Bing’s search ads.


According to a statement issued today by Facebook, “starting in July advertisers will no longer be able to buy Sponsored Results.”


Eliminating redundancy appears to be one focus of this change. As Facebook explains, “We’ve seen that most marketers were buying Sponsored Results to advertise their apps and games and we already offer mobile app install ads and Page post link ads on desktop to achieve these same goals.” For example, below is an example of a Sponsored Result. Look familiar?


sponsered facebook ads


When first introduced, Facebook’s Sponsored Results were considered competition to Google’s search ads. However, removing this service will also allow Facebook to focus on further developing its “Graph Search,” a feature launched in January of this year. Ditching Sponsored Results is just one of many attempts Facebook is implementing to refine ad offers in order to perfect advertisements within “Graph Search” going forward. Surprisingly this is not the only major shift Facebook has endured this week. Find out more about Facebook’s new features, such as the addition of hashtags in our previous post, “Facebook Launches Hashtags and #ItWillChangeYourLife.”


Happy? Sad? Don’t care? How do you feel about the removal of sponsored ads on Facebook? Comment below and let us know what you think.


Sources:


Sterling, Greg. “Facebook To End Sponsored Search Ads — For Now.” Search Engine Land. N.p., 13 June 2013. Web. 13 June 2013. http://searchengineland.com/facebook-to-end-sponsored-search-ads-for-now-163191?utm_campaign=tweet.


Wasserman, Todd. “Mashable.” Mashable. N.p., 13 June 2013. Web. http://mashable.com/2013/06/13/facebook-nixes-sponsored-results-ads/.


By: Peter Kirby

Tweet Posted on: June 13th, 2013 by Peter Kirby

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CSS3 – Transitions

This is a fun little feature, just as long as you are Not trying to view it with Internet Explorer. Unfortunately, IE does not support the CSS3 transition property (yet?). I know, I was shocked, too… The other main browsers support it, but Firefox 4, Chrome, and Safari require a pre-fix:

Chrome – -webkit- (same as Safari)Firefox 4 – -moz-Opera – -o-Safari – -webkit- (same as Chrome)

Firefox 4 was released in February 2010, and as I’m writing this – December 2012 – we’re on Firefox version 17, I would not worry about this old version any longer, but for those of you who want to cover all bases, add a line of -moz- to your CSS.


There are four properties related to transition:

property – addresses the property that is being transitionedbackground color and positionborder color, spacing, and widthclipcolorcropfont size and weightletter and word spacing and line heightmargin and paddingmax and min height and widthopacityoutline color, offset, and widthtext indent and shadowvertical-align and z-indexvisibilityduration – sets the amount of time, in seconds (s), the transition takes. The default is ’0' so without this information, the transition effect is lost.timing-function – Sets the pace of the transition. linear – same speed from start to finishease – slow start and finish, faster in the middleease-in – slow start, faster finishease-out – faster start, slow endcubic-bezier – allows to more specifically set start and end speed of the transition by defining four values between zero and one: (.5, .8, .3, .6)delay – sets when the transition starts. The default is ’0', which starts it immediately, delays can be set in seconds (s) or milliseconds (ms).

So, all browser-required pre-fixes aside, the basic CSS could look like this:

{transition-property: width;transition-duration: 3s;transition-function: ease;transition-delay: 1s;}

Considering that we need 3 (or 4, if you want to cover FX4) lines for each of these properties, this could get quite cumbersome. Thank God (or whoever sets these specifications), there are shortcuts.

{transition: width 3s ease 1s;}

or, if considering all the browsers:

{transition: width 3s linear 2s;-moz-transition: width 3s linear 2s;-webkit-transition: width 3s linear 2s;-o-transition: width 3s linear 2s;}

See a few examples in action HERE


If you have any questions about this tutorial or run into trouble trying it yourself, post your question/problem in the Killersites Forum for help.


Tags: css3, transitions

This post was written by: Andrea Barnett

This entry was posted on Monday, December 24th, 2012 at 8:45 pm and is filed under HTML5 and CSS3, Web Design Basics. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.


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Introduction To Photoshop Scripting

Automation is useful in the work of every designer. It saves precious time on repetitive tasks and helps us solve certain problems more quickly and easily.


You can automate your workflow in Photoshop with actions, which are pretty popular and which most of you already know about and use. Today, we’ll introduce you to an advanced automation technique: scripting. All you need for this is basic knowledge of JavaScript, which some of us Web designers already have.


I’ve known about Photoshop scripts for years but decided to really dive in a few months ago. I had avoided it because I thought it was the domain of smart math-minded programmers. I was wrong, and today I’ll show that, although it requires some basic programming skills, scripting isn’t hard to grasp.


But first, we have to answer the obvious question.


Why should we would learn to script if Photoshop already has pretty nice actions? The answer is interactivity. When you use an action, you can’t really control how it behaves in different situations; it is like a videotape that just keeps playing again and again without any change.


Why We Need Scripts?


A script is more dynamic; its behavior changes according to the parameters you input or the context of its application. Sounds useful, no?


You don’t have to be an advanced programmer to be able to write scripts; I’m just a graphic designer, like most of you. But you should at least have a basic understanding of JavaScript and some experience with properties and methods to get the most out of this article.


Requirements


If you are not familiar with JavaScript at all, fear not! There are plenty of places to learn the basics of programming. Codecademy, for example, has pretty neat interactive lessons.


I work in Adobe Photoshop CS5, but everything we’ll cover applies to newer versions, too; Adobe hasn’t made any major updates to its scripting API since CS5. I will refer to the latest version of the scripting documentation, though, which is CS6.


When you record actions in Photoshop, you set the order of the steps to achieve a certain result — that’s your algorithm. Then, you press “Record” and replicate them in Photoshop one by one. Scripting is similar, but instead of doing these steps in Photoshop, you write them down as lines of code. Most actions that you do in Photoshop have their own script equivalent as a function.


Start here


Let’s say you are creating an action that scales a document to 150% of its original size. You’d go through these steps:

Open Image ? Image Size.Enter 150% in width and height.Hit “OK.”

The same process with a script would look like this:

Call the application: appTarget a document: activeDocumentCall the function to resize the image: resizeImage(width, height)

And the code would look like this:

app.activeDocument.resizeImage("150%", "150%");

There are three ways to write scripts for Photoshop: using AppleScript on Mac, VBScript on Windows or JavaScript on either platform. I use the third because it is cross-platform and I already have some experience with it.


Adobe has its own utility for writing scripts, called ExtendedScript Toolkit.


Adobe ExtendedScript Toolkit
The main window for Adobe’s ExtendedScript Toolkit. (View large version.)


The toolkit comes with Photoshop, and you can find it in the following folder:

Mac OS X
/Applications/Utilities/Adobe Utilities CS6/ExtendScript Toolkit CS6/Windows
C:\Program Files\Adobe\Adobe Utilities - CS6\ExtendScript Toolkit CS6
(or Program Files (x86) for 64-bit machines)

The user interface of the ExtendedScript Toolkit is pretty straightforward. To start writing scripts, first select the target application in the drop-down menu. If Photoshop is running, then look for the green chain icon near the drop-down menu:


Application Select


Now you can write something like this:

alert("Hello Photoshop!");

Press cmd + R (or just hit the “Play” button in the toolbar) to run your script. ExtendedScript Toolkit should switch to Photoshop and show an alert box:


Hello Photoshop!


ExtendedScript Toolkit has some other neat features for debugging scripts, but this is enough for this article. You can learn more about how to use it by going to Help ? JavaScript Tools Guide.


You can use any plain-text editor to write a script; just save it as a .jsx file. To run it, you’ll have to go to File ? Scripts ? Browse in Photoshop and select it. Alternatively, just open the script file with Photoshop. You can also add a line of code at the top of the script so that the file always opens in Photoshop:

#target photoshop

Save your scripts in the Photoshop/Presets/Scripts/ directory, and access them with File ? Scripts. You can also set up a hotkey; just go to Edit ? Keyboard Shortcuts, navigate to File ? Scripts ? [your script’s name], and set the shortcut you want.


ExtendedScript Toolkit can run and debug code from the integrated development environment, and it has an object model viewer built in, which is useful. So, I recommend using the toolkit to write your scripts. Unfortunately, the Mac version crashes sometimes, so keep that in mind.


To make writing scripts easier, you should understand how things relate to each other in Photoshop’s Document Object Model (DOM). Understanding it is not so hard if you look at Photoshop itself. The main object in Photoshop’s DOM is the application. In the application, we have a collection of documents that are currently open in Photoshop.


Each document contains elements — such as layers (called ArtLayers), groups of layers (LayerSets), channels, history states and so on — just like in a regular PSD document.


A simplified visualization of Photoshop’s DOM is below. A more detailed containment hierarchy can be found on page 12 of “Adobe Photoshop CS6 Scripting Guide” (PDF).


Simplified visualization of Photoshop API
A simplified visualization of Photoshop’s DOM.


Each of these objects has its own properties and methods that you can work with. For example, to change the opacity of the selected layer in a document, you would go to Application ? Document ? Layer ? Opacity and set the desired value. The code would look like this:

app.activeDocument.activeLayer.opacity = 50;

As you may have guessed, activeDocument and activeLayer determine the currently selected document and layer.


You can find descriptions of most objects and their properties and methods in “Adobe Photoshop CS6 JavaScript Scripting Reference” (PDF), or in ExtendedScript Toolkit by going to Help ? Object Model Viewer.


Let’s see how this works in a real-world example. In this next section, we’ll write our own script based on an action.


A few years ago at Christmas time, I had an idea for an action to help me draw snowflakes.

Draw one stem of the snowflake with a pattern.

Step One

Duplicate the stem, and rotate it a few degrees.

Step Two

Repeat the second step until you have a full circle.

Step Three


Duplicating and rotating each stem manually is tedious, so I came up with an action to automate it. The algorithm looks like this:

Duplicate the stem.Rotate it by however many degrees you’ve chosen, using the Transform tool.Duplicate the layer.Use the “Repeat Transform” function.Repeat steps 4 and 5 until you have a full circle.

Pretty neat. But the action had a disadvantage: You can set only a certain number of stems for the snowflake, according to the number of degrees you set in third step of the algorithm.


Back when I wasn’t familiar with scripting, I just made a few versions of the action, each of which produced a snowflake with a different number of stems.


Today, we will remaster this action as a dynamic script that takes your input on the number of stems. Let’s get started!


When you start writing a script, defining the algorithm first before digging into the code itself is always a good idea. In our case, the algorithm will work like this:

Ask the user to enter the number of stems.Calculate the rotation angle.Duplicate and rotate the layer by the number set in the first step.

Let’s start with saving the current or selected layer to a variable for further use:

// Save selected layer to variable:var originalStem = app.activeDocument.activeLayer;

Note that in JavaScript, you can mark a line with double slashes (//) to make it a comment. Comments are used to describe parts of code for future reference and don’t affect the behavior of the script.


Let’s move on to our algorithm now.


We can take input from the user with the prompt(message, default value[, title]) function. This function shows a dialog box with the message and an input field that contains the default value. When the user hits “OK,” the function returns the inputted value; so, we have to save it to the variable to be able to be used.

// Ask user for input by showing prompt box and save inputted value to variable:var stemsAmount = prompt("Processing \""+originalStem.name+"\"\nHow many stems do you need?", 12);

Note that I used originalStem.name in the message, so the dialog box will show the name of selected layer.


On Mac OS X, the first line of the message is in bold and functions as the title. So, our main message should be on the second line. To make a new line, type \n.


In Windows, you can specify a third argument in the function to set the title:

// Ask user for input by showing prompt box and save inputted value to variable:var stemsAmount = prompt("How many stems do you need?", 12, "Processing "+originalStem.name);

If we run the code in Photoshop, it will show this dialog box:


Prompt dialog


When the user hits “OK,” the inputted value will be saved to the stemsAmount variable. If the user clicks “Cancel,” then the function will return a null value. We’ll use this later.


To calculate the rotation angle, we have to divide 360 degrees (a full circle) by the number of stems:

// Calculate the rotation anglevar angle = 360 / stemsAmount;

Now we have everything we need to make duplicates of our stem. To do this, we’ll use the for loop. It lets us repeatedly run lines of code as many times as we’d like. Our loop will look like this:

for(var i = 1; i < stemsAmount; i++){// This code will run "stemAmount - 1" of times};

Note that the first instance of an object in programming has the value of 0, but because our first layer is already on the canvas, we’re starting the loop from 1 instead.


To duplicate and rotate our layer, we will use the duplicate() and rotate(angle, AnchorPosition) methods: the number of layers to be rotated in angle multiplied by the indexed number of duplicates. AnchorPosition determines the point around which the layer will rotate. You can see this point when you use the Transform tool in Photoshop — it looks like a small circle with a crosshair. In scripting, it has only 9 specified values — i.e. the 9 positions of the anchor point:


AnchorPosition visualization


In our case, it is the bottom center of the layer, BOTTOMCENTER. Photoshop uses a lot of other constants here and there in some of the functions, which you can find on page 197 of “Adobe Photoshop CS6 JavaScript Reference” (PDF).


So, our loop will look like this:

// Duplicate and rotate layers:for(var i = 1; i < stemsAmount; i++){// Duplicate original layer and save it to the variable var newStem = originalStem.duplicate();// Rotate new layernewStem.rotate(angle * i, AnchorPosition.BOTTOMCENTER);};

And the completed code will look like the following. You can try to run it.

// Save selected layer to variable:var originalStem = app.activeDocument.activeLayer;// Ask user for input by showing prompt box and save inputted value to variable:var stemsAmount = prompt("Processing \""+originalStem.name+"\"\nHow many stems do you need?", 12);// Calculate the rotation angle:var angle = 360 / stemsAmount;// Duplicate and rotate layers:for(var i = 1; i < stemsAmount; i++){// Duplicate original layer and save it to the variablevar newStem = originalStem.duplicate();// Rotate new layernewStem.rotate(angle * i, AnchorPosition.BOTTOMCENTER); };

I’ll usually try to achieve the main goal with a script, and when everything works correctly, I’ll start to refine the code. In our case, we have to make sure that the user inputs a valid number in the prompt box — i.e. a positive integer, greater than one.


Also, to prevent Photoshop from going crazy, we will restrict the number of stems — let’s say, to 100. To do this, we will use a while loop to show the user an error message in the event of an invalid submission, and the prompt box will continue to be shown until the user enters a valid value or hits the “Cancel” button (remember that the prompt returns null if the user hits “Cancel”).


The new code looks like this:

// Save selected layer to variable:var originalStem = app.activeDocument.activeLayer;// Ask user for input by showing prompt box and save inputted value to variable:var stemsAmount = prompt ("Processing \""+originalStem.name+"\"\nHow many stems do you need? (From 2 to 100)", 12);// Check that user entered a valid number and, if invalid, show error message and ask for input againwhile(isNaN(stemsAmount) || stemsAmount <= 0 || stemsAmount > 100){// If user clicks "Cancel" button, then exit loopif(stemsAmount == null) break;// Show error message…alert("Please enter number in range from 2 to 100");// …and ask for input againstemsAmount = prompt("Processing \""+originalStem.name+"\"\nHow many stems do you need? (From 2 to 100)", 12);};// Run the copying processif(stemsAmount != null){ // Calculate the rotation anglevar angle = 360 / parseInt(stemsAmount);// Duplicate and rotate layers:for(var i = 1; i < stemsAmount; i++){// Duplicate original layer and save it to the variablevar newStem = originalStem.duplicate();// Rotate new layernewStem.rotate(angle * i, AnchorPosition.BOTTOMCENTER);};};

As you may have noticed, we’re using the isNaN(value) function, which returns true if value is “not a number” and parseInt(value) to convert the value to an integer when we calculate the rotation angle.


The next thing we will do is manage the layers, renaming our new layers by adding an index to them. Also to make sure that we do not mess up document’s layers, let’s place our stems in a group.


Renaming the layers is not a hard task. We will just use the name property of the layer and add an index number to it:

// Add index to new layersnewStem.name = originalStem.name + " " + (i+1);

A group in Photoshop’s API is called a LayerSet and we can access all groups of the document by calling the layerSets property. To add a new group to a document, we have to call the layerSets’ method add():

// Create a group for stemsvar stemsGroup = app.activeDocument.layerSets.add();stemsGroup.name = originalStem.name + " ("+stemsAmount+" stems)";

Then, to add a layer to the group, we will use the move(relativeObject, ElementPlacement) function. Note that the move() function moves a layer in the layer stack, not on the canvas. (You can move a layer on the canvas with the translate(deltaX[, deltaY]) function.)


ElementPlacement is another constant, this one determining how we will place our layer relative to… well, relativeObject. In our case, we will use ElementPlacement.INSIDE to place the original layer inside a group:

// Place original layer in grouporiginalStem.move(stemsGroup, ElementPlacement.INSIDE);

We will place each new copy of the layer at the bottom of all layers in the group using ElementPlacement.PLACEATEND. The result is all of our layers arranged in ascending order, the first layer at the top and the last at the bottom:

// Place new layer inside stems groupnewStem.move(stemsGroup, ElementPlacement.PLACEATEND);

You can read more about the ElementPlacement constant on page 202 of “Adobe Photoshop CS6 JavaScript Reference” (PDF).


That’s it! RotateMe.jsx is done. Our final code looks like this:

// Save selected layer to variable:var originalStem = app.activeDocument.activeLayer;// Ask user for input by showing prompt box and save inputted value to variable:var stemsAmount = prompt ("Processing \""+originalStem.name+"\"\nHow many stems do you need? (From 2 to 100)", 12);// Check that user entered a valid number and, if invalid, show error message and ask for input againwhile(isNaN(stemsAmount) || stemsAmount <= 0 || stemsAmount > 100){// If user clicks "Cancel" button, then exit loopif(stemsAmount == null) break;// Show error message…alert("Please enter number in range from 2 to 100");// …and ask for input againstemsAmount = prompt("Processing \""+originalStem.name+"\"\nHow many stems do you need? (From 2 to 100)", 12);};// Run the copying processif(stemsAmount != null){ // Calculate the rotation anglevar angle = 360 / parseInt(stemsAmount);// Create a group for stemsvar stemsGroup = app.activeDocument.layerSets.add();stemsGroup.name = originalStem.name + " ("+stemsAmount+" stems)";// Place original layer in grouporiginalStem.move(stemsGroup, ElementPlacement.INSIDE);// Duplicate and rotate layers:for(var i = 1; i < stemsAmount; i++){// Duplicate original layer and save it to the variablevar newStem = originalStem.duplicate();// Rotate new layernewStem.rotate(angle * i, AnchorPosition.BOTTOMCENTER);// Add index to new layersnewStem.name = originalStem.name + " " + (i+1);// Place new layer inside stems groupnewStem.move(stemsGroup, ElementPlacement.PLACEATEND);};// Add index to the original layeroriginalStem.name += " 1";};

That wasn’t too hard, was it?


Finish


Now you can put it in the Photoshop/Presets/Scripts/ folder and run it by going to File ? Scripts in Photoshop. Using different shapes with different values can yield interesting results:



As you can see from the number of links in the resources section below, there’s much more to say about scripting than can fit in an introductory article. But I hope the little that we’ve described today piques your interest and shows how powerful and helpful scripting is.


Community Power!


If you decide to dive into it, let’s learn together and share our experience. Ask your questions and share what you’ve done in the comments. If you are not a coder, consider leaving an idea for a script; maybe another reader will make it happen.


Let’s make Photoshop more useful together!


I’m still learning about Photoshop scripts, too, and here are some resources that are helping me along the way:

“Adobe Photoshop Scripting,” Adobe Developer Connection
All of the documentation and utilities for scripting.“Adobe Introduction to Scripting” (PDF), Adobe
Here are the basics on scripting for Adobe applications. The nice thing about scripting for Photoshop is that you can apply your knowledge to other Adobe products; you just need to learn the application’s DOM, and you’ll be ready to go.“Adobe Photoshop CS6 Scripting Guide” (PDF), Adobe
In this introductory guide to scripting for Photoshop, you’ll find the basics on getting started with scripting.“Photoshop CS6 JavaScript Reference” (PDF), Adobe
This describes all of the objects and their functions and methods that you can use in scripting for Photoshop. This is one of the documents I use most when writing scripts.“JavaScript,” Mozilla Developer Network
Here are answers to all kinds of questions about general JavaScript functions and usage.“JavaScript Tools Guide” (PDF), Adobe
This has basic information about ExtendedScript Toolkit and some advanced techniques, such as file system access and ScriptUI and working with XML, sockets and more.PS-Scripts
An independent forum about scripting for Photoshop. I haven’t signed up to participate in discussions, but it has plenty of answered questions and solved problems to discover.Photoshop Scripting, Adobe Community
Adobe’s official forum for Photoshop scripting has some good discussion on problems encountered by users.

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Kamil Khadeyev

Kamil Khadeyev is a graphic designer specializing on icon and UI design. You can see his latest works at his Dribbble account. Kamil also has a Blog where he writes about design related themes, such as workflow tips, scripts for Adobe Photoshop and more.


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Free 90 days of Moz’s Pro SEO tools

 Business can be a lot like an Olympic race; being world class isn’t good enough, to be successful you have to out-perform your competitors.


Nowhere is that more true than search engine optimization, when results are quite literally about your position in a league table. You simply cannot win by focusing exclusively on your own site, you have to know what your competitors are doing.


One of our favorite ways of staying on top of the competition is Moz — you may know it by its old name SEOMoz — but it’s still the indispensable tool that it’s always been. Moz gives you the ability to treat SEO like the competition it is, to monitor your rivals, learn when you’re gaining on them, when you’re slipping back, and when you’re leaving them in your wake.


Have you looked at a competitor and thought, “How are they doing so well?”. With Moz you don’t need to wonder anymore, competitor analytics show you exactly what your rivals are doing, how they’re being picked up and what you can do to match, and even exceed them. Of course, knowing how your site is performing is only half the battle, if you want to address problems — or avoid creating new ones — you need to know the why as well. Moz has several tools to automatically assess your site and score you on your SEO effectiveness.


Link Research & Analysis lets you inspect your competitor’s links, and social data. If they’re doing it, and succeeding as a result, you need to start doing it to.


Open Site Explorer will track your backlinks, as well as your competitors. An influential blog driving traffic to your competitor? Discover the link, check what their interest is, and approach them yourself.


As well as backlinks, it’s important to spot any other mentions. Social Media can be a minefield for many brands, with many users trolling behind your back; Fresh Web Explorer shows you all mentions, good and bad so you can respond accordingly.

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Moz focuses on showing you not just the current state of play, but your performance over time, so you can judge trends, monitor the affects of changes and keep your results moving upwards.


Link analysis helps you keep an eye on your competitor’s links and helps you find opportunities to expand your own link range. This is increasingly vital as Google push their emphasis to natural links.


How is your site performing on Google right now? How about Bing? Not sure? Then you need Rank Tracking, which will tell you exactly where you are right now.


On-Page Optimization will look at your site and grade it for SEO effectiveness. No more puzzling over the reason you’ve dropped to page 2.


How sure are you your site is accessible to crawlers? It’s amazing how many sites fall down on the basics, SEO Web Crawler will make sure yours isn’t one of them.

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Analysing social media is easy with Moz too. Watch who’s talking about you, and connect with power-users. Do you know the best time of day to tweet? You will with Moz, and that data helps you build lasting relationships for long-term social media success. Most importantly Moz shows you our social media impact in the context of your site.


Twitter Analytics analyses exactly when and who is online of your followers helping you to determine the best time of day to push out new posts. Ensuring that you get the best reception for your hard work.


Campaign Tracking is your one-stop-shop for whole campaigns. It’s a place to pull together all of your data and analyse your SEO footprint.

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But Moz isn’t just a toolset, it’s a fully rounded resource ideal for beginners and advanced SEO professionals alike.


Twice monthly training webinars lift the lid on SEO best practices and  teach you to fully understand the how and why of your site’s performance.


The Q&A Forum is the perfect place to find the answer to that question.


If it’s something you’re asking, chances are it’s been asked before. The answers are all here, you’ve just got to look.


Advanced Online Marketing Guides give you the professional view of SEO, and make sure that you know exactly how to out-perform your competitors.


The Moz SEO community is 300,000 strong and growing. Become a part of it and see your site’s performance really take off.


We’re thrilled to be able to say that the generous people at Moz have agreed to give WebdesignerDepot readers an amazing 90 days of free access to their Pro toolset — that’s almost $300 of SEO optimization at your fingertips!


Moz includes a plethora of great tools, and surprisingly, many are completely free for everyone, 365 days a year. Pro subscribers also get access to some of the best tools available for SEO: Fresh Web Explorer; Rank Tracker, On-Page Grader; and Keyword Analysis. It’s those Pro tools that you’re going to be able to use free of charge for 90 days.


All you’ve got to do to take advantage of this amazing offer is to sign up with Moz using this link and get ready to start winning the SEO race.


Have you taken advantage of this 90 days for free offer yet? Which of Moz’s tools are you most looking forward to trying? Let us know in the comments.


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"This is how we built this" case studies

Unlike many other industries, the Web design community is all about sharing knowledge and experience. Each of us is very lucky to be part of such a great and useful learning environment, and it is up to us to embrace it — to embrace our learning experiences, and also to embrace our ability to share.


Not only are case studies a great way to explain the design process of an agency, but they also help designers and developers to learn from each other. Seeing how designers work, create, build and play is great, and furthermore, you can learn how to write a great case study yourself and how to use one to spice up your portfolio.


In today’s overview of useful case studies, we’ve featured studies that have recounted decisions made about particular design elements, as well as studies of full overhauls and their accompanying technical challenges. Most of them provide interesting insights into failures and successes, stories, workflows and design decisions made and rejected.


We must admit that this post is quite a long one, so we’ve decided to divide it into two parts to make it easier for you to navigate. Now you should be well prepared for a couple of late reading sessions over the next weekends!


Here is a quick list of the categories covered:

Illustration, Graphics and Logo DesignTypographyUsabilityAdvertising, Promotion and E-CommerceRedesigning Elements and FeaturesComplete (Re)branding and (Re)designContent and StorytellingTechnical Challenges and SolutionsWorkflow and OptimizationLast Click

“Illustrator Full Spectrum Spirograph,” Veerle Pieters
Pieters talks about her experimentation process with spirographs, inspired by the work of Andy Gilmore.


Illustrator full spectrum spirograph


“The Design Process of my Infographic About Women Cycling for Grinta!,” Veerle Pieters
Pieters shares her experience of the design process behind the infographic on women’s cycling that she produced for Grinta magazine.


Grinta!: Design process of my infographic


“A Systematic Approach to Logo Design,” Adham Dannaway
Icon design can be time-consuming. Dannaway shows how to systematically approach a new logo design.


Petra Capital: A systematic approach to logo design


“(Re)building a Simplified Firefox Logo,” Sean Martell
Learn how Firefox’s logo was simplified to better fit its extended usage beyond a desktop Web browser.


Firefox: (Re)building a simplified logo


“Five Details,” Jon Hicks
Jon Hicks shares the design process behind the Five Details Logo, including the design and choice of typography.


Five Details: Logo design study


“Iconfinder Logo,” SoftFacade
SoftFacade completely reimagined Iconfinder’s existing identity and came up with a shiny and modern robot character. View the detailed design process.


Iconfinder: Logo Case Study


“The Great Gatsby”
Like Minded Studio collaborated on the branding of “The Great Gatsby“. The aim was to develop a bespoke Deco styled logo reflective of the roaring 20s and Fitzgerald’s masterpiece. They also created a display typeface to acompany the main branding. Additionally read more about it following this link.


gatsby


“Whitney Graphic Identity,” Experimental Jetset
In this case study of the Whitney Museum of Art’s logo, Experimental Jetset discusses the impact that a responsive logo can have on branding.


Whitney Graphic Identity


“My ‘Tour de France’ posters,” Veerle Pieters
Pieters created posters for the 100th edition of the Tour of France. She mainly used the French landscape which she had used for the ‘Tour de France Infographic’ as a starting point.


Tour de France posters


Type study: Sizing the legible letter


“Designing Type Systems,” Peter Bil’ak
To create truly useful designs, typographers need to examine not only how characters relate to each other within a style, but also how different styles relate to each other within a family. Peter Bil’ak discusses how to achieve this.


Designing type systems


“Novel Constructions: The Making of a Typeface,” Christopher Dunst
Dunst shares the process behind the creation of the “Novel” typeface.


Novel Constructions | I love typography, the typography and fonts blog


“The Development of the Signage Typeface Wayfinding Sans Pro,” Ralf Herrmann
Herrmann describes the development of the Wayfinding Sans Pro, a signage typeface that can be read from a long distance.


The design of a signage typeface | I love typography, the typography and fonts blog


“The Making of FF Tundra,” Ludwig Übele
Übele shares the process behing making the FF Tundra typeface, which was highly inspired by nature.


The making of FF Tundra


“The Making of Magasin,” Laura Meseguer
Meseguer writes how she created Magasin, a typefaces inspired by fluid handwriting.


Magasin: The making of


“Type Study” series, Adobe Typekit
Typekit features a whole series of case studies of typography:


“Social Login Buttons Aren’t Worth It,” MailChimp
Social login buttons are used by many apps today. MailChimp shares its own experience and considerations in using social login buttons.


MailChimp: Social Login Buttons Aren’t Worth It


“Usability in Icons,” Peter Steen Høgenhaug
Icons are used to illustrate a particular function, anything from information to actions. This article explains what needs to be considered when designing them.


Usability in Icons | Stiern


“iOS Icon Design: A Designer’s Exploration,”
iOS icon design is not only difficult, but requires a lot of experimentation. David Killoy shares his experience of designing the icon for his note-taking app Notorious.


Notorious: iOS icon design - A designers exploration


“The Making of Octicons,” GitHub
Octicons is a icon font made by GitHub. Five designers collaborated on the project, and they share how they built Octicons and what they learned along the way.


GitHub: The Making of Octicons


“Designing Facebook Home,” Julie Zhuo
On May 8th, the designers behind Facebook Home (Justin Stahl, Francis Luu, Joey Flynn and Mac Tyler) presented a behind-the-scenes look at their work at the Bluxome Street Winery for a small crowd.


Designing Facebook Home


“How to Make Your Own App Promo Cards,” Mike Swanson
Swanson was inspired by Starbuck’s promo cards for giving away free apps and decided to make his own for an upcoming event. Learn how you can do one, too!


How to Make Your Own App Promo Cards


“The Art of Launching an App,” John Casey
You’ve made your first app! Now what? This study covers some tactics and lessons learned during one process of launching an app.


The Art Of Launching An App: A Case Study | Smashing UX Design


“How to Launch Anything,” Nathan Barry
Barry has launched five products in fewer than nine months. Read about the strategy that helped him generate over $200,000 in revenue from online products, starting from scratch.


launch-anything


“Selling My E-Book on Amazon,” Jonathan Snook
Several people predicted that 2013 would be the year of self-publishing. Snook shares insight into his eBook sales on Amazon.


“Increase Online Sales on Your Ecommerce Website,”
Headscape increased sales on Wiltshire Farmfoods’ e-commerce website by over 10,000% in only five years. What makes it even more special, the target audience is over 50 years old. Paul Boag shares his experience.


“Twitter Promoted Tweets,” MailChimp
MailChimp has made use of Twitter’s promoted tweets and shares insight into this experience.


“Visual Exploration Behind Signal vs. Noise,” Mig Reyes
37signals share the process behind making its blog special. This study is about how the company visualized noise and styled its blog categories in a unique way.


37signals: Visual Exploration behind Signal vs. Noise


“Reinventing Our Default Profile Pictures ,” Jamie
Jamie talks about the process of finding the right default profile pictures for the 37signals website. It’s a great new approach to a very basic element.


37signals: Reinventing our Default Profile Pictures


“Login Screen Design: Behind the Scenes,” Simon Tabor
Good UX is not just about the main content, but also about little details such as log-in (and error) pages. GoSquared shares how it made its log-in experience exceptional.


GoSquared Blog: Login Screen Design and UX


“Save for Later,” Brian Groudan
All browsers support two functions: searching and revisiting. Groudan worked closely with Mozilla’s user experience researchers and designers to rethink how Firefox could better offer “saving for later” functionality in the browser.


Mozilla UX: Save For Later


“A Closer Look at Zoom,” FiftyThree
FiftyThree shares the design process behind the new zoom feature in its Paper app.


Paper: A closer look at zoom


“Reinventing the Investment Calculator,” Alex Bendiken
Drawing from the book Money for Something, Alex Bendiken built a tool that lets users experiment and create a unique investment plan. It’s a UX study in turning a boring financial calculator into something you’d actually want to use.


Reinventing the investment calculator


“Getting Down to Business,” Teenhan+Lax
The Globe and Mail is Canada’s national newspaper of record. It serves millions of readers everyday with in-depth journalism and informed comment. Learn how Teenhan+Lax helped refresh and enrich the way users experience and engage with the news today.


The Globe And Mail


“Olympics: User Experience and Design,” Nick Haley
Nick Haley shares the BBC’s design process of delivering the Olympics across desktop, tablet, mobile and connected TV.


BBC Olympics: User Experience and Design


“How We Built the Responsive Olympics Site,” Matt Clark
Matt Clark writes about MSN UK’s approach to delivering the Olympics digitally, from the brief to the finished design.


How we built MSN UK's responsive Olympics site


“The Anatomy Of A Successful Logo Redesign,” Belinda Lanks
Lanks summarizes how Jessica Hische had freshened up the new logo for MailChimp with a slight facelift. The new logo now looks new and fresh — more refined but just as playful.


The Anatomy Of A Successful Logo Redesign


“What I Want Out of Facebook,” Keenan Cummings
Cummings explains why Facebook fails him and what he wants to get out of it that would make it useful for his personal life.


Field Study: What I Want Out of Facebook


“In Praise of Lost Time,” Dan Hill
Dan Hill talks about Facebook’s Timeline as an exemplary bit of interaction design that does little to advance the timeline formally. Yet it might alter the nature of human memory itself.


Facebook Timeline: In praise of lost time


“How to Approach a Responsive Design,” Tito Bottitta
This article shows the design process behind The Boston Globe’s website, one of the most famous examples of responsive designs. Read about how Upstatement approached its first responsive design.


How to Approach a Responsive Design


“Responsive Design Case Study,” Matt Berridge
This case study outlines the entire process of constructing the South Tees Hospitals’ website, a large responsive design containing over a thousand pages.


South Tees Hospital: Responsive Design case study


“Rebuilding a University Homepage to Be Responsive. Twice. In Less Than a Year,” Erik Runyon
This slideshow discusses how and why Notre Dame University’s home page was rebuilt twice in less than a year. You will find a recording of the talk below the slides.


Rebuilding a university homepage to be


“Yes, You Really Can Make Complex Web Apps Responsive,” Daniel Wearne
Wearne shares his experience in creating Adioso’s Web app, a complex yet accessible project. He covers the framework, responsive mixins, tables and future challenges.


Adioso: Yes, you really can make complex webapps responsive


“Designing a New Playground Brand,” Ryan Bannon
This case study shows the design process of Playground’s new brand. It covers the logo, overall website and vector animation process, as well as the core values and personality of the company. The extensive study comes in three parts.


Playground: Designing a New Playground Brand


“How House Parties Helped Us Design Potluck,” Cemre Güngör
The team at Potluck describes how it took inspiration from reality to design a “house party on the Internet.”


How house parties helped us design Potluck


“Colorado Identity,” Berger & Föhr
Imagine someone hiring you to define your own identity. Berger & Föhr was hired to help create the new identity and visual brand of Colorado, the place they call home. Have a look at the work and logo they came up with.


Making Colorado


“Building the New Financial Times Web App,” Wilson Page
Page talks about building the Financial Times’ new app, a challenge that many on his team believed to be impossible. He covers device support, fixed-height layouts, truncation, modularization, reusable components, Retina support, native-like scrolling, offline support and the topic of ever-evolving apps.


Building The New Financial Times Web App


“Google Treasure Maps,” Alex Griendling
Griendling writes about the design process behind Google Maps’ treasure mode.


Google Treasure Maps: About the design process


“Find Your Way to Oz,” HTML5 Rocks
This very detailed case study looks at the “Find Your Way to Oz” demo, a Google Chrome experiment by Disney. It covers sprite sheets, Retina support, 3-D content and more.


Case Study: Find Your Way to Oz - HTML5 Rocks


“The Making of the Moscow Metro Map 2.0,” Art Lebedev Studio
This study is about the design process behind the Moscow Metro map, a complex project that needed to meet the requirements of both Web and print.


The making of the Moscow Metro Map 2.0


“Skinny Ties and Responsive eCommerce,” Brendan Falkowski
Read and learn how GravDept redesigned Skinny Ties’ creative and technical direction to propel shopping on every device.


Skinny Ties: Responsive eCommerce


“The Design Thinking Behind the New Disney.com,” Bobby Solomon
Solomon shares the process of creating a Disney website that is flexible enough to showcase the widest range of offerings imaginable — in other words, a website that can do everything.


Disney: The design thinking behind the new online presence


“Say Hello to the New ISO,” Andy Clarke
Clarke and David Roessli redesigned the website of the ISO (International Organization for Standardization) and share their experience.


Say hello to the new ISO


“A Responsive Design Case Study,” David Bushell
The redesign of Passenger Focus takes advantage of the Web as an unique medium.


PassengerfocusA Responsive Design Case Study – David Bushell


“BBC News: Responsive Web Design and Mustard,” Kaelig Deloumeau-Prigent
These slides address the core principles and the “cutting the mustard” technique behind the BBC News’ responsive website.


BBC News: Responsive Web Design and Mustard


“The Trello Tech Stack,” Brett Kiefer
Read the process behind the Trello app, from initial mockup to a solid server and maintainable client.


Trello: The Trello Tech Stack


“Responsibly Responsive: Developing the Greenbelt Website,” Rachel Andrew
Andrew writes about her front-end design decisions in rebuilding the Greenbelt Festival’s website.


Greenbelt: Responsibly Responsive website development


“The Digital-Physical: On Building Flipboard for iPhone and Finding the Edges of Our Digital Narratives,” Craig Mod
Mod walks through the process of building the Flipboard app for iPhone and of finding the edges of its digital narratives.


The Digital?Physical: On building Flipboard for iPhone and Finding Edges for Our Digital Narratives


“Page-Flip Effect From 20 Things I Learned,” Hakim El Hattab
This study shows how this team found the best way to achieve the feeling of a real-world book, while leveraging the benefits of the digital realm in areas such as navigation.


20 thiCase Study: Page Flip Effect from 20thingsilearned.com


“Six Key Lessons From a Design Legend,” Kapil Kale
The GiftRocket team eventually recruited Mike Kus as a designer. This article shows why that decision took their website to the next level.


Six Key Lessons from a Design Legend (a before-and-after) | GiftRocket Blog


“Breaking The Rules: A UX Case Study,” Laura Klein
Klein shows how she broke all rules to create the great UX for Outright.


Outright: Breaking The Rules - A UX Case Study


“7 UX Considerations When Designing Lens Hawk,” Christian Holst
Lens Hawk is a massive DSLR lens database. This article shares seven UX considerations that were made in its design process.


Lens Hawk: 7 UX Considerations


“The Story of the New Microsoft.com,” Nishant Kothary
Kothary shares his insight into making Microsoft’s new website. Also, check out Trent Walton’s perspective on the redesign.


The Story of the New Microsoft.com


“Behind the Scenes of the New Kippt,” Gannon Burgett
This interview about the work behind the new Kippt app covers the redesign process, the design principles and problems that the team faced, insights into the new era of Web app design, and where Kippt will head in the future.


New Kippt: Behind The Scenes


“Crayola: Free the ‘What If’,” Daniel Mall
Dan Mall has put together a case study of the creation of the new Crayola application for kids.


Crayola: Free the


“Campus Quad iPhone App,” Soft Facade
Soft Facade covers every aspects of the design process behind its Campus Quad app.


Campus Quad: iPhone App Case Study


“How to Make a Vesper: Design,” Vesper
Learn how the Vesper app was designed and made.


Vesper: How to Make a Vesper: Design


“Betting on a Fully Responsive Web Application,” 14islands
Read about how 14islands took the Web app for Kambi, a sports-betting service, to the next level.


Kambi: Betting on a fully responsive web application


“AMMO Rack App Design Critique,” Alexander Komarov
An interesting study of the feedback process that improved the AMMO Rack app.


AMMO Rack: App Design Critique


“Walking Through the Design Process,” Ian Storm Taylor
Taylor walks you through the design process of Segment.io, including the progression of mockups in Photoshop.


Segment.io: Walking Through the Design Process


“Music Video ‘Lights’: The Latest WebGL Sensation,” Carlos Ulloa
Interactive studio HelloEnjoy built a mind-blowing 3-D music video for Ellie Goulding’s song “Lights.” Creative director Carlos Ulloa explains why the team chose WebGL and how it created various immersive graphic effects.


Music video 'Lights': the latest WebGL sensation!


“Designing for Designers,” Kyle Meyer
Designing for other designers is different than working for regular clients. Kyle Meyer shares his experience.


“Adapting to a Responsive Design,” Matt Gibson
Cyber-Duck abandoned its separate mobile website and created a new responsive design.


Cyber-Duck: Adapting To A Responsive Design


“Grids, Flexibility and Responsiveness,” Laura Kalbag
Kalbag shares her thoughts on the redesign of her own website, including her choice of typefaces.


Laura Kalbag: Grids, flexibility and responsiveness


“Making of Typespiration,” Rafal Tomal
Rafal Tomal built Typespiration as a side project. Learn about the process from initial idea to finished WordPress website.


Typespiration: Making of


“Case Studies,” Fi
Design firm Fi has integrated case studies into its portfolio. The studies are very interactive and beautifully designed. Here are four of them:


Fi Case studies


Perhaps you are more interested in case-studies on copywriting, content and storytelling, technical challenges, or just workflow and optimization tips? Well, off we go to the second part of the overview. Now you should be well prepared for a couple of late reading sessions over the next weekends!


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Melanie Lang

Melanie has been a trainee at Smashing Magazine in 2012. Currently she is completing her BA in Philosophy, Politics and Economics at Otago University and is looking forward to graduate in Dec 2013. She is also determined to catch an Aurora Australis while being in the deep South. She is interested in many things like writing, Web design, politics or underwater rugby and occasionally she tweets as @mel_in_media.


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